All The Comforts Of Home

OK, if you've been following along, you know that before I went back to school I had a business called Comforts Of Home where i made custom quilts.  Well, one of the classes I took while in school was ceramics which rekindled in me a love for all things clay.  The same year that i stopped going to school, my parents retired and moved from New Jersey to Florida.  One of the things that i purchased from them before their move was my Mom's old hobby kiln.  This is when i was making porcelain dolls for everyone and every occassion. 

 But my attention soon turned to historic pottery, predominantly redware. I loved redware. I took every opportunity to study historic pieces, travelling to museums, reading books, anything i could get my hands on.  I even timed a visit to Plimoth Plantation to coincide with our trip to Nova Scotia and Prince Edward Island so that i could take a pottery workshop there! Through trial and error ( lots of trial and error, there are no how to books out there for redware) I found my way through and soon hit upon a signature look. I formulated my colors and glazes and techniques to give just the appearance I longed for.  My Dad is a woodturner and made some of the wooden molds that i drape my plates over.  Soon after i began to make some of my own molds for larger pieces.  I started doing shows to sell my work and eventually in 2000 started selling online at Ebay.  From there I created my website.

My husband and I renovated an old store near our home and i moved my studio in and began working there in 2002.  I enjoyed everything about what I was doing and the ideas flowed.   Time would disappear while I was there. 

I prided myself in making original designs with lots of historical flavor and would get so annoyed and discouraged to see others copy my pieces. I guess that's what's happens when you put your work out there on the net as so many artists have found. But I had a loyal following and was very grateful for everyone's support.  One of my original ideas was that i would do patriotic pieces and fire them in the kiln on the 4th of July each year. These pieces all were marked with my original Fire-Works signature. It was the only time i would do patriotic themed pieces.

 My pottery actually carried us through a dark time when we had the fire at our restaurant in Nov of 2003 until we reopened in April of 2004.

 I continued to work in my studio along with the restaurant until 2008 when my second grandchild was born.  My daughter could no longer work in the office with the 2 children ( my grandaughter would come to work with her, but 2 would be too hard to do).  I couldn't do both anymore either. Pottery takes a considerable chunk of time that i no longer had.

Feel that wind blowing again?  What did John Lennon say "Life is what happens while you're busy making other plans"?  I have always loved that saying,  just never expected it to be my theme song!!

If you were to go into my studio this day, you would find pieces of pottery, drape molded trenchers and plates and other goodies just sitting there on the table awaiting my return!

I had to find a new creative outlet, one that would allow me to work a little here and there , leave and come back to it and not lose the piece as I would with pottery.

I started to learn jewelry techniques and am expanding on my skills all the time. I have learned lampworking, metalsmithing, cast and fused glass. I have 5 kilns to my name.

This is where you came in...with my first post, here on this blog in June,  "just who do i think I am?" 

In recapping my life thus far i have found out certain things.

• I Love all things historical
•  I love glass in all it's forms, mosaics, lampwork, glass glazes on clay, glass enamels on metal, fused glass, stained glass, roman glass, czech glass,  sea glass, you name it, glass wins me every time!
• I have to be authentic, original
• I love to learn
• I. have. to. create. something. all. the. time.
• I am strong. determined. ambitious.

Now to take everything I know and find my direction!

P.S. I had a small epiphany last night after writing this post. I started to see very clearly why I am finding myself  unsure of my direction. My husband has questioned whether I may be in the wrong medium. I considered that as well but I think it might be more this- as i look back over everything I have done, with each endeavor I started with an idea, a vision, a passion.  I did all the legwork myself, teaching myself what i needed to know and finding my way through all my ideas. 
 With jewelry it has been just the opposite. I have started with classes, instructions in techniques and all the technical aspects of the trade.  I am struggling to find my own way with this medium.
The one series that I did that was original work of mine, Vintage Metamorphosis, I created in 2008 and had copyrighted in March 2009.  I want what i had with all the other work that I have done, a look of my own, identifiable as my own, not just as a student of someone else. Perhaps this will require nothing more than what i gave to everything else, time and effort. I used to have a lot more time to "just be" in my studio. I think that is what is most needed here. Time alone in my studio to think through ideas and find my own way again. With this medium or maybe even another, who knows? That is where my muse resides and I trust she will guide me yet again.

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Backstory Next Chapter

I had hoped to complete all of my backstory during the course of the summer, but if I plan on keeping that promise to myself I have a lot of catching up to do!

When I last wrote I spoke of changes afoot.  I decided that I wanted to pick up a few classes at a local university, some things that would help me take my design ability up a notch or 2. So I enrolled as a "non-traditional" student and signed up for 2 classes, Color Theory and principles of Design.  I figured I could apply both of these to my quilt design. The year was 1990 and my son was just 19 mos old and my daughter was in elementary school. I would drop her off, head up to school ( an hour away) and be back in time to pick her up. 

 As it turned out, these were the best 2 starter classes I could have chosen, I LOVED them!  At the end of the semester, my professor approached me and said" I would like to see you apply to go out for the Fine Art program, I think you have what it takes to be really successful.  "Who Me? Are you talking to me? Really????  It would entail getting a portfolio ( Oh yes, say it's true!) together of my work and submitting it for review along with the application.   Happily I was accepted.
The thing that separated the Art degree from a Fine Art degree was the degree of work involved! Each semester I had to do an independent study that i received no credit for but which was required.  My Area director as he was called, told me he would like to see me advance my design ability by either making non traditional quilts or make traditional quilts in a non traditional way.  What??? He suggested I sew quilts out of paper or something like that.  Uhh, I don't think so, not for me. But I pondered the suggestion over the summer and came up with an idea of my own. I would make quilts out of my own handmade paper. 

Transforming from traditonal to non traditional

In those days not much was available concerning handmade paper and the books that i had to search and learn from were very old and very few.   Step by step i experimented with different materials,  tweaking and refining my methods until I found what worked.  My first piece looked like a sheet of dryer lint!  Once I hit on the process I was off and running. The designs and ideas were just flowing through me and i couldn't realize them fast enough.

At the end of my second year in school, my area director told me he felt I deserved a show of my own and arranged for me to meet with the gallery curator who agreed. I was set to have a show of my own at the start of the new school year in the university gallery.

Please forgive the quality of these pix as they are scans of the originals taken at that time.

It was my so called 15 minutes of fame. The local TV stations came and interviewed me, articles were written in the local papers. I was entering shows and winning ribbons, it was all very exciting. And very exhausting. I was being torn between following my ambitions and keeping my attentions on my young family.

I wasn't willing to compromise on anything.  I was trying to juggle being the perfect mother, wife, housewife and artist.  It was only a matter of time before I hit the proverbial breaking point.  I was set to start my 6th semester when I came to the decision to stop going to school. It was 1993, My son was about to turn 4 and would only have one year before he was in school full time and I felt I was going to regret not being home with him more.  It wasn't the amount of time I was attending school, it was the demands to do all the extra work. I was distracted half the time with projects and reports and homework so that even when i was here i really wasn't all here with them.  It was one of the hardest decisions i have ever made in my life and to this day a part of me regrets the decision i made. Not because i chose my family over my own ambitions, but because when i was there I felt i was in my element, I belonged there. I belonged to be doing what i was doing. I was good at it. I left school with a 4.0 GPA.

I continued to learn and create on my own. I was a member of the Torpedo Factory Art Center in Old Town Alexandria and was juried into many shows, winning ribbons and a place in what was known as the Bin Gallery there.  Every month a friend of mine from school and i would go out there, work the jurying process for our membership and come back home the same day.  I did handmade paper, silkscreen prints, Polaroid image transfers, art quilts, Ukrainian eggs, & porcelain dolls. I went into the schools and taught what i knew, handmade paper and Ukrainian eggs to classes from second grade to high school. I always taught my children any new skill I had acquired.  Both of them won acclaim with their image transfers and photography.

It wouldn't be long before the winds of change would blow through my life again.

National Grandparents Day is September 12, 2010

                           Handprint Wall Hanging

What you'll need:

3 sheets of felt in complimentary colors
2 sheet white paper
Scissors
Pencil
White craft glue
Black fine-tip marker
12” wooden dowel
18” yarn
6” ribbon
2-3 safety or stick pins


How to make it:
Use a pencil to trace your hand and your grandparent’s hand onto a white piece of paper.
Use scissors to cut the hand patterns out.
Use pins to secure child’s paper hand pattern to one of the pieces of felt. Cut around the pattern. Repeat this process with the larger hand pattern on another piece of felt.
Lay remaining sheet of felt on to the work surface. Position hands on top of the full sheet until you have them where you want them. Glue the hands in place.
Cut a 1.5” wide strip from the bottom of a piece of white paper (8.5” x 1.5”).
Use a black marker to write “Grandma’s Little Angel” or “Grandpa’s Little Buddy”. Glue the phrase above the hands; leave enough room at the top of the felt to fold over around the dowel (about 1”).
Turn felt over and glue dowel to the back, wrapping the top of the felt around the dowel. Hold in place for a few minutes to let glue grab.
Tie yarn to both ends of the dowel and join in the center at the top for a hanger.
Tie a piece of ribbon around the top end of the yarn hanger.


Tips:
To add a special touch to this keepsake, write the year on a small piece of paper and glue at the bottom between the hands.
Use a dark color for the background of your wall hanging and two contrasting colors for the hands.
If sending this as a gift to a distant grandparent, use one of your parent’s hands for the pattern. To ship, gently roll up your creation, insert into an empty, clean potato chip cylinder, wrap in brown craft paper and mail!

http://crafts.kaboose.com/handprint-wall-hanging.html

The Vikings are coming!

Last week I had the pleasure of taking a class with Denise Peck , editor of Step by Step wire jewelry magazine, at Beadfest Philly.  At first when she started the demo I was thinking "what have i gotten myself into?"  But in short order we were all merrily knitting away on our bracelets. I found it to be very zen like once getting going and i hope to make many more pieces using this method, especially some neck chains.  My son was especially impressed with the weaving when i showed it to him.

The beads that I added are artisan lampworked beads and Kazuri beads along with some hill tribe silver.